Even if I go back to the same coffee shop, my "usual"
tastes a little different from one day to the next.
All the ingredients remain the same - the coffee beans,
the chocolate, the milk - so how can it get screwed
up?
The answer, of course, is
that the flavor of a single tall mocha depends as much
on the person behind the counter as the ingredients
in the cup.
When it comes to the quality of the presentations we
create, the difference between a good presentation and
a great one seldom comes down to software. Instead,
it's the person "behind the counter" - crafting
the message and using the tools creatively - who ultimately
makes the difference.
Among the many presentation
graphics programs to choose from - PowerPoint, Freelance,
Corel Presentations, Astound - it really doesn't matter
which one you decide to use. (I'm guessing that statement
got your attention.) Personally, I take it as a bit
of an insult when someone describes my presentation
in terms of the software I used to make it. After all,
you're probably not too concerned about which Web development
tool was used to lay out this newsletter, are you?
Regardless of the claims made
by the world-class marketing organizations behind these
products, a truly great presentation doesn't hinge on
clip-art galleries, transition effects, chart types
or bullet-point shapes. These things are all well and
good, to the degree they can help you become more productive
(and occasionally, more creative). But a great presentation
relies far more on three mission-critical things that
all great presenters do.
Your presentation software
may have all the bells and whistles, but I guarantee
you're not going to find a "message wizard"
to help stake out your content. A good business message
starts from a high-level, big-picture view and flows
down to an appropriate level of detail. A good message
isn't preoccupied with itself, but rather focuses on
the value it brings to the audience.
Good content will seamlessly
steer your audience through your entire message, keeping
the topics clean and well defined and making the relationship
among various topics clear. Graphical sign-posts along
the way let the audience know where they are and where
they're headed.
At its conclusion, a good
presentation summarizes the key themes in a way that
makes the audience feel like they just got off the Jungle
Cruise at Disneyland. They learned some stuff, had an
enjoyable ride with a few surprises along the way -
and knew exactly where they were when the ride was over.
Bullet-point text is one of
the easiest ways for presenters to communicate information.
Unfortunately, it's also one of the worst ways to do
so. Why? Processing text is very much a left-brain kind
of thing. When we read, we filter and eliminate based
on existing perceptions; whatever information our brains
don't filter out goes into short-term memory. This approach
may be good if you're building nuclear weapons, but
it can be very bad if you're trying to sell a product
or service to a tough audience.
In contrast, sensory-based
information is much more likely to go into long-term
memory. Think of ways to replace bulleted lists with
something more visual - for example, an animated flowchart
(with supporting images) that walks the audience through
a series of steps and is triggered by mouse clicks.
Fortunately for business presenters,
you don't have to have a body part pierced in order
to demonstrate your individualism - but to make your
story memorable, you need to do something to create
a unique presentation identity.
You may be fortunate enough
to find a stock PowerPoint template that hasn't already
been worked to death, but you still need to personalize
it with elements like corporate colors, images and logos.
Another way to come up with a unique look is to find
someone who can help you design a professional-looking,
audience-appropriate presentation with easy-to-read
fonts.
Bottom
line: As feature-rich as today's software is,
your success as a presenter is not determined by the
particular program you use. (I've seen some very bad
presentations come from very expensive software.) Whether
it's mochas or marketing plans, it pays to find the
person behind the tools who can provide the biggest
jolt for your jingle.
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